| 210 Amlent Avenue (2015) a Full-Length Musical |
| Cooking for Two (2014) a 10-Minute Musical |
| Death of a Salesman (2014) for Voice and Piano |
| She’s Gone (2014) for Voice and Piano |
| We’re Going To Be Late (2014) for Voice and Piano |
| A Place You Could Call Home (2014) for Voice and Piano |
| Pick Your Feet Up (2014) for Voice and Piano |
| The Notebook Song (2014) for Voice and Piano |
| Stand Up (2013) for Voice and Piano |
| Young Composer’s Lament (2013) for Voice and Piano |
| She Stays (2013) for Voice and Piano |
| Come One, Come All (2013) for Voice and Piano |
| Three Songs (2013) for Soprano, Flute, Cello, and Piano |
| Are They Edible? (2013) an Experimental Puppet Show by Jeanette Oi-Suk Yew |
| Convergent (2013) for Alto Sax, Flute, and Piano |
| Nimbus (2013) for Piano |
| Fantasy/Lullaby (2013) for SATB Chorus and Piano |
| Perfect Union (2012) a 10-Minute Musical |
| Night; Glory; Light (2012) for Baritone, Violin, Cello, and Piano |
| Happy F*ing Birthday (2011) for Voice and Piano |
| The Facebook Song (2011) for Voice and Piano |
| In Recovery: American Style (2011) a 10-Minute Musical |
| Brain Candy (2011) for Pierrot Sextet |
| Interlude (2011) for Basset Horn and Piano |
| Plague Victims Catapulted over Walls into Besieged City (2011) for Soprano, Flute, and Piano |
| Chemical Plant (2010) for Voice and Piano |
| A Man’s A Man (2010) for Voices and Piano |
| My Grandmother’s Love Letters (2010) for Voice and Piano |
| Songs for the End of Things (2010) a Song Cycle |
| Alcestis (2009) a One-Act Musical |
| The Amazing Ricardo (2009) for Voice and Piano |
| Eliza: Lust (2009) for Mezzo-Soprano and Piano |
| Yerma (2008) Three Songs for Voices, Guitar, and Piano |
| A Name To Be Sung For All Time (2007) a One-Act Musical |
| I Will Bring You Here (2007) a One-Act Musical |
| Funeral (2006) a 20-Minute Musical |
Writer, Composer, and Playwright